Thursday, February 12, 2026

Tim Rodrigo: Nature in the Abstract
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Thought provoking paintings of Upstate New York.

At first glance, Rodrigo's work may appear to the viewer to be simply a collection of shapes, each of which is alive with color, yielding a pleasing and often joyful whole. As with many abstract paintings however, the viewer is challenged to look further and find the original subject. Rodrigo invites us to examine his work from a distance to see the images that he portrays. Fog along a river or a small waterfall among the trees on a hillside may then emerge from the canvas.

   

On the Edge
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Michael Sickler: recent mixed media collages
Carmel Nicoletti: art glass and sculptural metal jewelry

   

2026 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

With great pleasure, Light Work presents the 2026 BFA Art Photography Annual. This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University.

Exhibiting Artists: Alex Cai, Donniae Collins, Sofia Marie Capparelli, Brooke Datys, Ixchel Loren Flores, Ashlyn Garcia, Nadia Holl, Adeline Hume, Mia Ignazio, Hannah Stein, Ella Tovey, Ming Zhong

   

Karolina Wojtas: Made in Poland
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Made in Poland, Karolina Wojtas' first U.S. solo exhibition, unfolds like a care package sent to America — one filled with the absurd, the folkish, and the wonderfully weird cultural treasures of Poland. The exhibition features a dynamic mix of fabric prints, soft sculptures, and traditional photographs that play with form while drawing on everyday observations, childhood memories, and the oddities of growing up. Wojtas' project becomes a journey through education, family relationships, and first loves—infused throughout with nostalgia, humor, and a generous dose of self-irony.

   

Afterimages: Legacies of the Thirteenth Amendment
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Afterimages examines the visual, social, and political legacies of the Thirteenth Amendment, which abolished slavery except as a punishment for a convicted crime. Curated by first-year graduate students of art history under the direction of Professor Sascha Scott, the exhibition highlights works in the SU Art Museum collection created by artists working in the United States from the 19th century to the present.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

   

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

   

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

   

Tal Placido: Meeting Place
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Tal Placido's large-scale abstract paintings begin with a conversation. Instead of working on blank primed canvas, Placido paints on vintage linens, embracing their stains, snags, and embellishments. A native of the Philippines, Placido is attuned to the family stories and lived experiences that she literally weaves into her work. The images she presents in Meeting Place are a record of the dialogue between experience-laden objects and an artist more concerned about thoughtful questions than concrete answers.

   

Federico Solmi: Adrift
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Visually sumptuous and incisively satirical, Federico Solmi's multimedia works expose the excesses and contradictions of power across history and contemporary culture. Adrift presents new and recent "video paintings" alongside the monumental canvas The Ship of Fools, which reimagines Théodore Géricault's Raft of the Medusa (1818–19) through Solmi's irreverent visual language. The painting assembles historical and present-day figures, from Christopher Columbus to Elon Musk, into a chaotic allegory of a society unmoored. Evoking a contemporary America adrift amid spectacle, instability, and competing claims to power, the exhibition also includes a Virtual Reality experience that immerses visitors in Solmi's destabilizing world.

   

Visions of Hope: Moving Images by Teens with a Movie Camera
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The voices and visions of teenagers rarely take center stage in professional exhibition spaces. Yet, young people in our communities hold valuable perspectives on the world.

Forging a new network of neighbors, Teens with a Movie Camera's hands-on workshops embrace the artistic potential of everyday tools such as smartphones, envisioning movies as a mode of personal expression and artistic exploration rather than a commercial product. The TwMC artist collective asks: can we reimagine filmmaking as an inclusive art practice, open to all? What can it look like to nurture new safe spaces for playful and imaginative engagement with media arts, as a way of building local community? Featured works will center upon themes of creativity and hope, emphasizing imagination as a pathway toward meaningful futures.

   

Visiting Artist Lecture Series: Todd Conover
Syracuse University School of Art and Design

Price: Free
Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

Todd Conover is an associate professor in the fashion design program, a position he has held since 1995. During his career at Syracuse University, Conover has been responsible for teaching many of the design and technical classes in the program.

Fashion, illustration, graphics and fine art have always been a part of Conover's visual vocabulary, and he likes to work in a variety of traditional mediums in conjunction with digital technology. "My work tends to focus on fashion, style and the evolution of emotion towards form, color, pattern and line," he says.

Additionally, Conover is a nationally recognized art jeweler and metalsmith, designing and producing one-of-a-kind art jewelry pieces that reside in private collections worldwide. His works are shown nationally in museum and gallery shows.

   

The Motherf**ker with the Hat
Redhouse
Blondean Young, director

Redhouse at City Center
400 S. Salina St., Syracuse

Struggles with addiction, friendship, love, and the challenges of adulthood are at the center of the story. Jackie, a petty drug dealer, is just out of prison and trying to stay clean. He's also still in love with his coke-addicted childhood sweetheart, Veronica. Ralph D. is Jackie's too-smooth, slightly slippery sponsor. He's married to the bitter and disaffected Victoria, who, by the way, has the hots for Jackie. And then there's Julia, Jackie's cousin ... a stand-up, "stand by me" kind of guy. Join us for the CNY premiere of this 6-time Tony Award nominee, including best play. By Stephen Adly Guirgis.

   

The Music Man
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

There's trouble in River City, with a capital "T." This classic musical comedy follows Harold Hill, a fast-talking traveling salesman, as he cons the people of River City, Iowa, into buying instruments and uniforms for a boys' band that he vows to organize — despite the fact that he doesn't know a trombone from a treble clef. However, his plans to skip town with the cash are foiled when he falls for Marian, the town's librarian, who aims to turn him into a respectable citizen. This family-friendly production features the classic songs "Seventy-Six Trombones," "Trouble," "'Til There Was You," "Pickalittle," and "Gary, Indiana."

Tickets

   

Relentless
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A knockout new play about loyalty and legacy.

Monique Jeffries was poised to be one of the greatest professional boxers in history, but years after her career has ended, she is right back where she started: running Bailey's, her childhood gym, training finance bros with delusions of grandeur, and taking directions from her former coach Johnny. As the Golden Gloves amateur tournament approaches, Monique receives a surprising offer from one of her "white collar" boxing clients: he wants to buy Bailey's and convert it into an elite boxing facility, where they can train the best of the best and revitalize the flagging sport. But Johnny isn't about to let that happen, and the ensuing bout between teacher and student is as intimate as it is brutal in this bare-knuckled world premiere.

   

Friday, February 13, 2026

Tim Rodrigo: Nature in the Abstract
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Thought provoking paintings of Upstate New York.

At first glance, Rodrigo's work may appear to the viewer to be simply a collection of shapes, each of which is alive with color, yielding a pleasing and often joyful whole. As with many abstract paintings however, the viewer is challenged to look further and find the original subject. Rodrigo invites us to examine his work from a distance to see the images that he portrays. Fog along a river or a small waterfall among the trees on a hillside may then emerge from the canvas.

   

On the Edge
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Michael Sickler: recent mixed media collages
Carmel Nicoletti: art glass and sculptural metal jewelry

   

2026 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

With great pleasure, Light Work presents the 2026 BFA Art Photography Annual. This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University.

Exhibiting Artists: Alex Cai, Donniae Collins, Sofia Marie Capparelli, Brooke Datys, Ixchel Loren Flores, Ashlyn Garcia, Nadia Holl, Adeline Hume, Mia Ignazio, Hannah Stein, Ella Tovey, Ming Zhong

   

Karolina Wojtas: Made in Poland
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Made in Poland, Karolina Wojtas' first U.S. solo exhibition, unfolds like a care package sent to America — one filled with the absurd, the folkish, and the wonderfully weird cultural treasures of Poland. The exhibition features a dynamic mix of fabric prints, soft sculptures, and traditional photographs that play with form while drawing on everyday observations, childhood memories, and the oddities of growing up. Wojtas' project becomes a journey through education, family relationships, and first loves—infused throughout with nostalgia, humor, and a generous dose of self-irony.

   

Afterimages: Legacies of the Thirteenth Amendment
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Afterimages examines the visual, social, and political legacies of the Thirteenth Amendment, which abolished slavery except as a punishment for a convicted crime. Curated by first-year graduate students of art history under the direction of Professor Sascha Scott, the exhibition highlights works in the SU Art Museum collection created by artists working in the United States from the 19th century to the present.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

   

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

   

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

   

Tal Placido: Meeting Place
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Tal Placido's large-scale abstract paintings begin with a conversation. Instead of working on blank primed canvas, Placido paints on vintage linens, embracing their stains, snags, and embellishments. A native of the Philippines, Placido is attuned to the family stories and lived experiences that she literally weaves into her work. The images she presents in Meeting Place are a record of the dialogue between experience-laden objects and an artist more concerned about thoughtful questions than concrete answers.

   

Federico Solmi: Adrift
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Visually sumptuous and incisively satirical, Federico Solmi's multimedia works expose the excesses and contradictions of power across history and contemporary culture. Adrift presents new and recent "video paintings" alongside the monumental canvas The Ship of Fools, which reimagines Théodore Géricault's Raft of the Medusa (1818–19) through Solmi's irreverent visual language. The painting assembles historical and present-day figures, from Christopher Columbus to Elon Musk, into a chaotic allegory of a society unmoored. Evoking a contemporary America adrift amid spectacle, instability, and competing claims to power, the exhibition also includes a Virtual Reality experience that immerses visitors in Solmi's destabilizing world.

   

Visions of Hope: Moving Images by Teens with a Movie Camera
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The voices and visions of teenagers rarely take center stage in professional exhibition spaces. Yet, young people in our communities hold valuable perspectives on the world.

Forging a new network of neighbors, Teens with a Movie Camera's hands-on workshops embrace the artistic potential of everyday tools such as smartphones, envisioning movies as a mode of personal expression and artistic exploration rather than a commercial product. The TwMC artist collective asks: can we reimagine filmmaking as an inclusive art practice, open to all? What can it look like to nurture new safe spaces for playful and imaginative engagement with media arts, as a way of building local community? Featured works will center upon themes of creativity and hope, emphasizing imagination as a pathway toward meaningful futures.

   

Ronnie Leigh: A Valentine's Affair to Remember
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Join us for a romantic and memorable evening featuring the signature sounds of the legendary Mr. Ronnie Leigh ... Mr. Smooth himself! Treat your special someone to the jazz, R&B, and soul stylings of one of the finest vocalists in CNY.

We'll have some special Valentine's Day cocktails and extra special sweet treats.

Tickets

   

War of the Worlds: The 1938 Radio Broadcast
CNY Playhouse
Sara Harrington and Erica Moser, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

This production includes a world premier first act written by co-director Sara Harrington that shows the origins of the broadcast creation. And, the second act brings the original broadcast to the stage!

The Mercury Theater Live On Air's Halloween show is coming up, and Orson Welles won't settle for a typical adaptation of a classic literature. He joins his producer John Houseman and assistant producer Paul Stewart to select a work to adapt. But this won't be any ordinary radio show. Wells intends for this show to be a realistic, action-packed adventure that will make listeners feel as though they are witnessing events in real time, as they occur. Reporters! Bulletins! Excitement! What could go wrong?

Tickets

   

The Motherf**ker with the Hat
Redhouse
Blondean Young, director

Redhouse at City Center
400 S. Salina St., Syracuse

Struggles with addiction, friendship, love, and the challenges of adulthood are at the center of the story. Jackie, a petty drug dealer, is just out of prison and trying to stay clean. He's also still in love with his coke-addicted childhood sweetheart, Veronica. Ralph D. is Jackie's too-smooth, slightly slippery sponsor. He's married to the bitter and disaffected Victoria, who, by the way, has the hots for Jackie. And then there's Julia, Jackie's cousin ... a stand-up, "stand by me" kind of guy. Join us for the CNY premiere of this 6-time Tony Award nominee, including best play. By Stephen Adly Guirgis.

   

The Music Man
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

There's trouble in River City, with a capital "T." This classic musical comedy follows Harold Hill, a fast-talking traveling salesman, as he cons the people of River City, Iowa, into buying instruments and uniforms for a boys' band that he vows to organize — despite the fact that he doesn't know a trombone from a treble clef. However, his plans to skip town with the cash are foiled when he falls for Marian, the town's librarian, who aims to turn him into a respectable citizen. This family-friendly production features the classic songs "Seventy-Six Trombones," "Trouble," "'Til There Was You," "Pickalittle," and "Gary, Indiana."

Tickets

   

Relentless
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A knockout new play about loyalty and legacy.

Monique Jeffries was poised to be one of the greatest professional boxers in history, but years after her career has ended, she is right back where she started: running Bailey's, her childhood gym, training finance bros with delusions of grandeur, and taking directions from her former coach Johnny. As the Golden Gloves amateur tournament approaches, Monique receives a surprising offer from one of her "white collar" boxing clients: he wants to buy Bailey's and convert it into an elite boxing facility, where they can train the best of the best and revitalize the flagging sport. But Johnny isn't about to let that happen, and the ensuing bout between teacher and student is as intimate as it is brutal in this bare-knuckled world premiere.

   

Saturday, February 14, 2026

Tim Rodrigo: Nature in the Abstract
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Thought provoking paintings of Upstate New York.

At first glance, Rodrigo's work may appear to the viewer to be simply a collection of shapes, each of which is alive with color, yielding a pleasing and often joyful whole. As with many abstract paintings however, the viewer is challenged to look further and find the original subject. Rodrigo invites us to examine his work from a distance to see the images that he portrays. Fog along a river or a small waterfall among the trees on a hillside may then emerge from the canvas.

   

On the Edge
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Michael Sickler: recent mixed media collages
Carmel Nicoletti: art glass and sculptural metal jewelry

   

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

   

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

   

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

   

Federico Solmi: Adrift
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Visually sumptuous and incisively satirical, Federico Solmi's multimedia works expose the excesses and contradictions of power across history and contemporary culture. Adrift presents new and recent "video paintings" alongside the monumental canvas The Ship of Fools, which reimagines Théodore Géricault's Raft of the Medusa (1818–19) through Solmi's irreverent visual language. The painting assembles historical and present-day figures, from Christopher Columbus to Elon Musk, into a chaotic allegory of a society unmoored. Evoking a contemporary America adrift amid spectacle, instability, and competing claims to power, the exhibition also includes a Virtual Reality experience that immerses visitors in Solmi's destabilizing world.

   

Tal Placido: Meeting Place
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Tal Placido's large-scale abstract paintings begin with a conversation. Instead of working on blank primed canvas, Placido paints on vintage linens, embracing their stains, snags, and embellishments. A native of the Philippines, Placido is attuned to the family stories and lived experiences that she literally weaves into her work. The images she presents in Meeting Place are a record of the dialogue between experience-laden objects and an artist more concerned about thoughtful questions than concrete answers.

   

Karolina Wojtas: Made in Poland
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Made in Poland, Karolina Wojtas' first U.S. solo exhibition, unfolds like a care package sent to America — one filled with the absurd, the folkish, and the wonderfully weird cultural treasures of Poland. The exhibition features a dynamic mix of fabric prints, soft sculptures, and traditional photographs that play with form while drawing on everyday observations, childhood memories, and the oddities of growing up. Wojtas' project becomes a journey through education, family relationships, and first loves—infused throughout with nostalgia, humor, and a generous dose of self-irony.

   

2026 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

With great pleasure, Light Work presents the 2026 BFA Art Photography Annual. This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University.

Exhibiting Artists: Alex Cai, Donniae Collins, Sofia Marie Capparelli, Brooke Datys, Ixchel Loren Flores, Ashlyn Garcia, Nadia Holl, Adeline Hume, Mia Ignazio, Hannah Stein, Ella Tovey, Ming Zhong

   

Visions of Hope: Moving Images by Teens with a Movie Camera
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The voices and visions of teenagers rarely take center stage in professional exhibition spaces. Yet, young people in our communities hold valuable perspectives on the world.

Forging a new network of neighbors, Teens with a Movie Camera's hands-on workshops embrace the artistic potential of everyday tools such as smartphones, envisioning movies as a mode of personal expression and artistic exploration rather than a commercial product. The TwMC artist collective asks: can we reimagine filmmaking as an inclusive art practice, open to all? What can it look like to nurture new safe spaces for playful and imaginative engagement with media arts, as a way of building local community? Featured works will center upon themes of creativity and hope, emphasizing imagination as a pathway toward meaningful futures.

   

Afterimages: Legacies of the Thirteenth Amendment
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Afterimages examines the visual, social, and political legacies of the Thirteenth Amendment, which abolished slavery except as a punishment for a convicted crime. Curated by first-year graduate students of art history under the direction of Professor Sascha Scott, the exhibition highlights works in the SU Art Museum collection created by artists working in the United States from the 19th century to the present.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Ronnie Leigh: A Valentine's Affair to Remember
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Join us for a romantic and memorable evening featuring the signature sounds of the legendary Mr. Ronnie Leigh ... Mr. Smooth himself! Treat your special someone to the jazz, R&B, and soul stylings of one of the finest vocalists in CNY.

We'll have some special Valentine's Day cocktails and extra special sweet treats.

Tickets

   

Jeffrey Pepper Rodgers & Wendy Ramsay
Steeple Coffee House

Price: $15 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

   

Masterworks Series: Love Stories
Syracuse Orchestra (formerly Symphoria)
Maurice Cohn, conductor
Featuring Jiebing Chen, erhu

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Missy Mazzoli These Worlds in Us
He Zhanhao Butterfly Lovers Violin Concerto
Rimsky-Korsakov Scheherazade, op. 35

Tickets

   

The Music Man
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

There's trouble in River City, with a capital "T." This classic musical comedy follows Harold Hill, a fast-talking traveling salesman, as he cons the people of River City, Iowa, into buying instruments and uniforms for a boys' band that he vows to organize — despite the fact that he doesn't know a trombone from a treble clef. However, his plans to skip town with the cash are foiled when he falls for Marian, the town's librarian, who aims to turn him into a respectable citizen. This family-friendly production features the classic songs "Seventy-Six Trombones," "Trouble," "'Til There Was You," "Pickalittle," and "Gary, Indiana."

Tickets

   

The Motherf**ker with the Hat
Redhouse
Blondean Young, director

Redhouse at City Center
400 S. Salina St., Syracuse

Struggles with addiction, friendship, love, and the challenges of adulthood are at the center of the story. Jackie, a petty drug dealer, is just out of prison and trying to stay clean. He's also still in love with his coke-addicted childhood sweetheart, Veronica. Ralph D. is Jackie's too-smooth, slightly slippery sponsor. He's married to the bitter and disaffected Victoria, who, by the way, has the hots for Jackie. And then there's Julia, Jackie's cousin ... a stand-up, "stand by me" kind of guy. Join us for the CNY premiere of this 6-time Tony Award nominee, including best play. By Stephen Adly Guirgis.

   

Relentless
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A knockout new play about loyalty and legacy.

Monique Jeffries was poised to be one of the greatest professional boxers in history, but years after her career has ended, she is right back where she started: running Bailey's, her childhood gym, training finance bros with delusions of grandeur, and taking directions from her former coach Johnny. As the Golden Gloves amateur tournament approaches, Monique receives a surprising offer from one of her "white collar" boxing clients: he wants to buy Bailey's and convert it into an elite boxing facility, where they can train the best of the best and revitalize the flagging sport. But Johnny isn't about to let that happen, and the ensuing bout between teacher and student is as intimate as it is brutal in this bare-knuckled world premiere.

   

Dead Silent: Florence of Moravia
Acme Mystery Company

The View at Sunset Pines
4568 Octagon Rd., Tully

It's 1927 and local radio personality Nevelle Haspin invites you to the radio broadcast of a gala reception for silent film diva Lorraine Bowes who is making a film portraying hometown hero and notorious WWI spy Florence Goode a.k.a. Hata Mahma. Joining Lorraine will be her leading man, if he's sober, Roland DeHay, and Lorraine's agent, Harold "Hawk" Toohey. Arriving without an invitation is nationally syndicated gossip columnist Helena Handbasquet. Be careful. These celebrities autograph with poison pens.

   

War of the Worlds: The 1938 Radio Broadcast
CNY Playhouse
Sara Harrington and Erica Moser, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

This production includes a world premier first act written by co-director Sara Harrington that shows the origins of the broadcast creation. And, the second act brings the original broadcast to the stage!

The Mercury Theater Live On Air's Halloween show is coming up, and Orson Welles won't settle for a typical adaptation of a classic literature. He joins his producer John Houseman and assistant producer Paul Stewart to select a work to adapt. But this won't be any ordinary radio show. Wells intends for this show to be a realistic, action-packed adventure that will make listeners feel as though they are witnessing events in real time, as they occur. Reporters! Bulletins! Excitement! What could go wrong?

Tickets

   

The Music Man
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

There's trouble in River City, with a capital "T." This classic musical comedy follows Harold Hill, a fast-talking traveling salesman, as he cons the people of River City, Iowa, into buying instruments and uniforms for a boys' band that he vows to organize — despite the fact that he doesn't know a trombone from a treble clef. However, his plans to skip town with the cash are foiled when he falls for Marian, the town's librarian, who aims to turn him into a respectable citizen. This family-friendly production features the classic songs "Seventy-Six Trombones," "Trouble," "'Til There Was You," "Pickalittle," and "Gary, Indiana."

Tickets

   

Relentless
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A knockout new play about loyalty and legacy.

Monique Jeffries was poised to be one of the greatest professional boxers in history, but years after her career has ended, she is right back where she started: running Bailey's, her childhood gym, training finance bros with delusions of grandeur, and taking directions from her former coach Johnny. As the Golden Gloves amateur tournament approaches, Monique receives a surprising offer from one of her "white collar" boxing clients: he wants to buy Bailey's and convert it into an elite boxing facility, where they can train the best of the best and revitalize the flagging sport. But Johnny isn't about to let that happen, and the ensuing bout between teacher and student is as intimate as it is brutal in this bare-knuckled world premiere.

   

The Motherf**ker with the Hat
Redhouse
Blondean Young, director

Redhouse at City Center
400 S. Salina St., Syracuse

Struggles with addiction, friendship, love, and the challenges of adulthood are at the center of the story. Jackie, a petty drug dealer, is just out of prison and trying to stay clean. He's also still in love with his coke-addicted childhood sweetheart, Veronica. Ralph D. is Jackie's too-smooth, slightly slippery sponsor. He's married to the bitter and disaffected Victoria, who, by the way, has the hots for Jackie. And then there's Julia, Jackie's cousin ... a stand-up, "stand by me" kind of guy. Join us for the CNY premiere of this 6-time Tony Award nominee, including best play. By Stephen Adly Guirgis.

   

Sunday, February 15, 2026

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

   

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

   

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

   

Federico Solmi: Adrift
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Visually sumptuous and incisively satirical, Federico Solmi's multimedia works expose the excesses and contradictions of power across history and contemporary culture. Adrift presents new and recent "video paintings" alongside the monumental canvas The Ship of Fools, which reimagines Théodore Géricault's Raft of the Medusa (1818–19) through Solmi's irreverent visual language. The painting assembles historical and present-day figures, from Christopher Columbus to Elon Musk, into a chaotic allegory of a society unmoored. Evoking a contemporary America adrift amid spectacle, instability, and competing claims to power, the exhibition also includes a Virtual Reality experience that immerses visitors in Solmi's destabilizing world.

   

Tal Placido: Meeting Place
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Tal Placido's large-scale abstract paintings begin with a conversation. Instead of working on blank primed canvas, Placido paints on vintage linens, embracing their stains, snags, and embellishments. A native of the Philippines, Placido is attuned to the family stories and lived experiences that she literally weaves into her work. The images she presents in Meeting Place are a record of the dialogue between experience-laden objects and an artist more concerned about thoughtful questions than concrete answers.

   

Karolina Wojtas: Made in Poland
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Made in Poland, Karolina Wojtas' first U.S. solo exhibition, unfolds like a care package sent to America — one filled with the absurd, the folkish, and the wonderfully weird cultural treasures of Poland. The exhibition features a dynamic mix of fabric prints, soft sculptures, and traditional photographs that play with form while drawing on everyday observations, childhood memories, and the oddities of growing up. Wojtas' project becomes a journey through education, family relationships, and first loves—infused throughout with nostalgia, humor, and a generous dose of self-irony.

   

2026 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

With great pleasure, Light Work presents the 2026 BFA Art Photography Annual. This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University.

Exhibiting Artists: Alex Cai, Donniae Collins, Sofia Marie Capparelli, Brooke Datys, Ixchel Loren Flores, Ashlyn Garcia, Nadia Holl, Adeline Hume, Mia Ignazio, Hannah Stein, Ella Tovey, Ming Zhong

   

Afterimages: Legacies of the Thirteenth Amendment
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Afterimages examines the visual, social, and political legacies of the Thirteenth Amendment, which abolished slavery except as a punishment for a convicted crime. Curated by first-year graduate students of art history under the direction of Professor Sascha Scott, the exhibition highlights works in the SU Art Museum collection created by artists working in the United States from the 19th century to the present.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Peter & The Wolf
Central New York Ballet

Everson Museum of Art
401 Harrison St., Syracuse

Tickets

   

Peter & The Wolf
Central New York Ballet

Everson Museum of Art
401 Harrison St., Syracuse

Tickets

   

Peter & The Wolf
Central New York Ballet

Everson Museum of Art
401 Harrison St., Syracuse

Tickets

   

*SOLD OUT* Nachos and Blancos
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Join us for our once-a-month rockin' rhythm and roots par-tay at The 443! It's the best hang in town, and we can't think of a better way to spend Sunday afternoon than grooving to the tasty tunes of the mighty Los Blancos.

Join the waitlist

   

Bang Bang Experience on Tour
CNY Jazz Arts Foundation

Price: $20
Jazz Central
441 E. Washington St., Syracuse

More than just a traditional New Orleans "second line" brass band, the group plays with a decidedly eclectic and modern point of view, encompassing funk, pop, reggae, West African, and Latin American styles. They're also known for their uniquely interactive shows. Every member of the band is an accomplished soloist. Leader, composer, and trumpeter Sam Dechenne has ties to Central New York, where he performed and toured globally for many years with Ithaca-based reggae band John Brown's Body.

At CNY Jazz Central they'll be adding a heavy dose of New Orleans favorites to their repertoire, in anticipation of Mardi Gras just two days later.

Tickets

   

War of the Worlds: The 1938 Radio Broadcast
CNY Playhouse
Sara Harrington and Erica Moser, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

This production includes a world premier first act written by co-director Sara Harrington that shows the origins of the broadcast creation. And, the second act brings the original broadcast to the stage!

The Mercury Theater Live On Air's Halloween show is coming up, and Orson Welles won't settle for a typical adaptation of a classic literature. He joins his producer John Houseman and assistant producer Paul Stewart to select a work to adapt. But this won't be any ordinary radio show. Wells intends for this show to be a realistic, action-packed adventure that will make listeners feel as though they are witnessing events in real time, as they occur. Reporters! Bulletins! Excitement! What could go wrong?

Tickets

   

The Motherf**ker with the Hat
Redhouse
Blondean Young, director

Redhouse at City Center
400 S. Salina St., Syracuse

Struggles with addiction, friendship, love, and the challenges of adulthood are at the center of the story. Jackie, a petty drug dealer, is just out of prison and trying to stay clean. He's also still in love with his coke-addicted childhood sweetheart, Veronica. Ralph D. is Jackie's too-smooth, slightly slippery sponsor. He's married to the bitter and disaffected Victoria, who, by the way, has the hots for Jackie. And then there's Julia, Jackie's cousin ... a stand-up, "stand by me" kind of guy. Join us for the CNY premiere of this 6-time Tony Award nominee, including best play. By Stephen Adly Guirgis.

   

Relentless
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A knockout new play about loyalty and legacy.

Monique Jeffries was poised to be one of the greatest professional boxers in history, but years after her career has ended, she is right back where she started: running Bailey's, her childhood gym, training finance bros with delusions of grandeur, and taking directions from her former coach Johnny. As the Golden Gloves amateur tournament approaches, Monique receives a surprising offer from one of her "white collar" boxing clients: he wants to buy Bailey's and convert it into an elite boxing facility, where they can train the best of the best and revitalize the flagging sport. But Johnny isn't about to let that happen, and the ensuing bout between teacher and student is as intimate as it is brutal in this bare-knuckled world premiere.

   

Monday, February 16, 2026

Tim Rodrigo: Nature in the Abstract
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Thought provoking paintings of Upstate New York.

At first glance, Rodrigo's work may appear to the viewer to be simply a collection of shapes, each of which is alive with color, yielding a pleasing and often joyful whole. As with many abstract paintings however, the viewer is challenged to look further and find the original subject. Rodrigo invites us to examine his work from a distance to see the images that he portrays. Fog along a river or a small waterfall among the trees on a hillside may then emerge from the canvas.

   

2026 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

With great pleasure, Light Work presents the 2026 BFA Art Photography Annual. This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University.

Exhibiting Artists: Alex Cai, Donniae Collins, Sofia Marie Capparelli, Brooke Datys, Ixchel Loren Flores, Ashlyn Garcia, Nadia Holl, Adeline Hume, Mia Ignazio, Hannah Stein, Ella Tovey, Ming Zhong

   

Karolina Wojtas: Made in Poland
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Made in Poland, Karolina Wojtas' first U.S. solo exhibition, unfolds like a care package sent to America — one filled with the absurd, the folkish, and the wonderfully weird cultural treasures of Poland. The exhibition features a dynamic mix of fabric prints, soft sculptures, and traditional photographs that play with form while drawing on everyday observations, childhood memories, and the oddities of growing up. Wojtas' project becomes a journey through education, family relationships, and first loves—infused throughout with nostalgia, humor, and a generous dose of self-irony.

   

Tuesday, February 17, 2026

Tim Rodrigo: Nature in the Abstract
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Thought provoking paintings of Upstate New York.

At first glance, Rodrigo's work may appear to the viewer to be simply a collection of shapes, each of which is alive with color, yielding a pleasing and often joyful whole. As with many abstract paintings however, the viewer is challenged to look further and find the original subject. Rodrigo invites us to examine his work from a distance to see the images that he portrays. Fog along a river or a small waterfall among the trees on a hillside may then emerge from the canvas.

   

On the Edge
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Michael Sickler: recent mixed media collages
Carmel Nicoletti: art glass and sculptural metal jewelry

   

2026 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

With great pleasure, Light Work presents the 2026 BFA Art Photography Annual. This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University.

Exhibiting Artists: Alex Cai, Donniae Collins, Sofia Marie Capparelli, Brooke Datys, Ixchel Loren Flores, Ashlyn Garcia, Nadia Holl, Adeline Hume, Mia Ignazio, Hannah Stein, Ella Tovey, Ming Zhong

   

Karolina Wojtas: Made in Poland
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Made in Poland, Karolina Wojtas' first U.S. solo exhibition, unfolds like a care package sent to America — one filled with the absurd, the folkish, and the wonderfully weird cultural treasures of Poland. The exhibition features a dynamic mix of fabric prints, soft sculptures, and traditional photographs that play with form while drawing on everyday observations, childhood memories, and the oddities of growing up. Wojtas' project becomes a journey through education, family relationships, and first loves—infused throughout with nostalgia, humor, and a generous dose of self-irony.

   

Afterimages: Legacies of the Thirteenth Amendment
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Afterimages examines the visual, social, and political legacies of the Thirteenth Amendment, which abolished slavery except as a punishment for a convicted crime. Curated by first-year graduate students of art history under the direction of Professor Sascha Scott, the exhibition highlights works in the SU Art Museum collection created by artists working in the United States from the 19th century to the present.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Relentless
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A knockout new play about loyalty and legacy.

Monique Jeffries was poised to be one of the greatest professional boxers in history, but years after her career has ended, she is right back where she started: running Bailey's, her childhood gym, training finance bros with delusions of grandeur, and taking directions from her former coach Johnny. As the Golden Gloves amateur tournament approaches, Monique receives a surprising offer from one of her "white collar" boxing clients: he wants to buy Bailey's and convert it into an elite boxing facility, where they can train the best of the best and revitalize the flagging sport. But Johnny isn't about to let that happen, and the ensuing bout between teacher and student is as intimate as it is brutal in this bare-knuckled world premiere.

   

Wednesday, February 18, 2026

Tim Rodrigo: Nature in the Abstract
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Thought provoking paintings of Upstate New York.

At first glance, Rodrigo's work may appear to the viewer to be simply a collection of shapes, each of which is alive with color, yielding a pleasing and often joyful whole. As with many abstract paintings however, the viewer is challenged to look further and find the original subject. Rodrigo invites us to examine his work from a distance to see the images that he portrays. Fog along a river or a small waterfall among the trees on a hillside may then emerge from the canvas.

   

On the Edge
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Michael Sickler: recent mixed media collages
Carmel Nicoletti: art glass and sculptural metal jewelry

   

2026 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

With great pleasure, Light Work presents the 2026 BFA Art Photography Annual. This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University.

Exhibiting Artists: Alex Cai, Donniae Collins, Sofia Marie Capparelli, Brooke Datys, Ixchel Loren Flores, Ashlyn Garcia, Nadia Holl, Adeline Hume, Mia Ignazio, Hannah Stein, Ella Tovey, Ming Zhong

   

Karolina Wojtas: Made in Poland
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Made in Poland, Karolina Wojtas' first U.S. solo exhibition, unfolds like a care package sent to America — one filled with the absurd, the folkish, and the wonderfully weird cultural treasures of Poland. The exhibition features a dynamic mix of fabric prints, soft sculptures, and traditional photographs that play with form while drawing on everyday observations, childhood memories, and the oddities of growing up. Wojtas' project becomes a journey through education, family relationships, and first loves—infused throughout with nostalgia, humor, and a generous dose of self-irony.

   

Afterimages: Legacies of the Thirteenth Amendment
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Afterimages examines the visual, social, and political legacies of the Thirteenth Amendment, which abolished slavery except as a punishment for a convicted crime. Curated by first-year graduate students of art history under the direction of Professor Sascha Scott, the exhibition highlights works in the SU Art Museum collection created by artists working in the United States from the 19th century to the present.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

   

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

   

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

   

Federico Solmi: Adrift
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Visually sumptuous and incisively satirical, Federico Solmi's multimedia works expose the excesses and contradictions of power across history and contemporary culture. Adrift presents new and recent "video paintings" alongside the monumental canvas The Ship of Fools, which reimagines Théodore Géricault's Raft of the Medusa (1818–19) through Solmi's irreverent visual language. The painting assembles historical and present-day figures, from Christopher Columbus to Elon Musk, into a chaotic allegory of a society unmoored. Evoking a contemporary America adrift amid spectacle, instability, and competing claims to power, the exhibition also includes a Virtual Reality experience that immerses visitors in Solmi's destabilizing world.

   

Tal Placido: Meeting Place
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Tal Placido's large-scale abstract paintings begin with a conversation. Instead of working on blank primed canvas, Placido paints on vintage linens, embracing their stains, snags, and embellishments. A native of the Philippines, Placido is attuned to the family stories and lived experiences that she literally weaves into her work. The images she presents in Meeting Place are a record of the dialogue between experience-laden objects and an artist more concerned about thoughtful questions than concrete answers.

   

Visions of Hope: Moving Images by Teens with a Movie Camera
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The voices and visions of teenagers rarely take center stage in professional exhibition spaces. Yet, young people in our communities hold valuable perspectives on the world.

Forging a new network of neighbors, Teens with a Movie Camera's hands-on workshops embrace the artistic potential of everyday tools such as smartphones, envisioning movies as a mode of personal expression and artistic exploration rather than a commercial product. The TwMC artist collective asks: can we reimagine filmmaking as an inclusive art practice, open to all? What can it look like to nurture new safe spaces for playful and imaginative engagement with media arts, as a way of building local community? Featured works will center upon themes of creativity and hope, emphasizing imagination as a pathway toward meaningful futures.

   

Faculty Recital Series: William Knuth, violin; Scott Cuellar, piano
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

The program includes works by Brahms, Korngold and Bacewicz.

Watch live stream.

   

Relentless
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A knockout new play about loyalty and legacy.

Monique Jeffries was poised to be one of the greatest professional boxers in history, but years after her career has ended, she is right back where she started: running Bailey's, her childhood gym, training finance bros with delusions of grandeur, and taking directions from her former coach Johnny. As the Golden Gloves amateur tournament approaches, Monique receives a surprising offer from one of her "white collar" boxing clients: he wants to buy Bailey's and convert it into an elite boxing facility, where they can train the best of the best and revitalize the flagging sport. But Johnny isn't about to let that happen, and the ensuing bout between teacher and student is as intimate as it is brutal in this bare-knuckled world premiere.

   

Thursday, February 19, 2026

Tim Rodrigo: Nature in the Abstract
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Thought provoking paintings of Upstate New York.

At first glance, Rodrigo's work may appear to the viewer to be simply a collection of shapes, each of which is alive with color, yielding a pleasing and often joyful whole. As with many abstract paintings however, the viewer is challenged to look further and find the original subject. Rodrigo invites us to examine his work from a distance to see the images that he portrays. Fog along a river or a small waterfall among the trees on a hillside may then emerge from the canvas.

   

On the Edge
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Michael Sickler: recent mixed media collages
Carmel Nicoletti: art glass and sculptural metal jewelry

   

2026 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

With great pleasure, Light Work presents the 2026 BFA Art Photography Annual. This exhibition features work by seniors from the Art Photography program in the Film and Media Arts Department at the College of Visual and Performing Arts at Syracuse University.

Exhibiting Artists: Alex Cai, Donniae Collins, Sofia Marie Capparelli, Brooke Datys, Ixchel Loren Flores, Ashlyn Garcia, Nadia Holl, Adeline Hume, Mia Ignazio, Hannah Stein, Ella Tovey, Ming Zhong

   

Karolina Wojtas: Made in Poland
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Made in Poland, Karolina Wojtas' first U.S. solo exhibition, unfolds like a care package sent to America — one filled with the absurd, the folkish, and the wonderfully weird cultural treasures of Poland. The exhibition features a dynamic mix of fabric prints, soft sculptures, and traditional photographs that play with form while drawing on everyday observations, childhood memories, and the oddities of growing up. Wojtas' project becomes a journey through education, family relationships, and first loves—infused throughout with nostalgia, humor, and a generous dose of self-irony.

   

Afterimages: Legacies of the Thirteenth Amendment
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Afterimages examines the visual, social, and political legacies of the Thirteenth Amendment, which abolished slavery except as a punishment for a convicted crime. Curated by first-year graduate students of art history under the direction of Professor Sascha Scott, the exhibition highlights works in the SU Art Museum collection created by artists working in the United States from the 19th century to the present.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

   

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

   

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

   

Tal Placido: Meeting Place
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Tal Placido's large-scale abstract paintings begin with a conversation. Instead of working on blank primed canvas, Placido paints on vintage linens, embracing their stains, snags, and embellishments. A native of the Philippines, Placido is attuned to the family stories and lived experiences that she literally weaves into her work. The images she presents in Meeting Place are a record of the dialogue between experience-laden objects and an artist more concerned about thoughtful questions than concrete answers.

   

Federico Solmi: Adrift
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Visually sumptuous and incisively satirical, Federico Solmi's multimedia works expose the excesses and contradictions of power across history and contemporary culture. Adrift presents new and recent "video paintings" alongside the monumental canvas The Ship of Fools, which reimagines Théodore Géricault's Raft of the Medusa (1818–19) through Solmi's irreverent visual language. The painting assembles historical and present-day figures, from Christopher Columbus to Elon Musk, into a chaotic allegory of a society unmoored. Evoking a contemporary America adrift amid spectacle, instability, and competing claims to power, the exhibition also includes a Virtual Reality experience that immerses visitors in Solmi's destabilizing world.

   

Visions of Hope: Moving Images by Teens with a Movie Camera
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The voices and visions of teenagers rarely take center stage in professional exhibition spaces. Yet, young people in our communities hold valuable perspectives on the world.

Forging a new network of neighbors, Teens with a Movie Camera's hands-on workshops embrace the artistic potential of everyday tools such as smartphones, envisioning movies as a mode of personal expression and artistic exploration rather than a commercial product. The TwMC artist collective asks: can we reimagine filmmaking as an inclusive art practice, open to all? What can it look like to nurture new safe spaces for playful and imaginative engagement with media arts, as a way of building local community? Featured works will center upon themes of creativity and hope, emphasizing imagination as a pathway toward meaningful futures.

   

Alisha B Wormsley: The Temple of Our Survival
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

The Temple of Our Survival is new video work commissioned by Light Work for projection at UVP exploring what survival means and looks like through a series of interviews conducted by the artist with local care workers, land stewards, and cultural workers in her nomadic film set and project space.

Screening begins at dusk.

   

Visiting Artist Lecture Series: Orion Wertz
Syracuse University School of Art and Design

Price: Free
Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

Orion Wertz, professor of fine art in painting at Columbus State University, was born and raised in Pittsburgh. The derelict industry and forested hills of the region left an impression that reappears in his artwork.

Wertz studied painting at the Indiana University of Pennsylvania, where he received a bachelor's degree. He went on to study at the University of Illinois at Champaign-Urbana, where he received a master's degree and taught painting and drawing. In spite of his interest in the Chicago art scene, Wertz decided to leave the Midwest and move to New York City. He has exhibited paintings, drawings and sculptures in a variety of venues and has produced several comic books.

   

Relentless
Syracuse Stage
Melissa Crespo, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A knockout new play about loyalty and legacy.

Monique Jeffries was poised to be one of the greatest professional boxers in history, but years after her career has ended, she is right back where she started: running Bailey's, her childhood gym, training finance bros with delusions of grandeur, and taking directions from her former coach Johnny. As the Golden Gloves amateur tournament approaches, Monique receives a surprising offer from one of her "white collar" boxing clients: he wants to buy Bailey's and convert it into an elite boxing facility, where they can train the best of the best and revitalize the flagging sport. But Johnny isn't about to let that happen, and the ensuing bout between teacher and student is as intimate as it is brutal in this bare-knuckled world premiere.